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SHAKESPEARE HIS INFINITE VARIETY CELEBRATING THE 400TH ANNIVERSARY OF HIS DEATH


KUJAWIŃSKA COURTNEY K. ZINKIEWICZ G. EDITORS

wydawnictwo: WYD UN ŁÓDŹ , rok wydania 2018, wydanie I

cena netto: 52.65 Twoja cena  50,02 zł + 5% vat - dodaj do koszyka

Shakespeare

His Infinite Variety

Celebrating the 400th Anniversary of His Death


The great asset of Shakespeare: His Infinite Variety is its wide historical and geographical range – that is, from the time of the Bard himself to the latest metamorphoses of meanings new electronic media made available. Every reader, depending on his/her age and prior experience with Shakespeare, is at a different moment of this great historical-theoretical continuum of world culture. Everyone can also begin one’s own intellectual journey through cultural history – any time, any place. […] Despite the once popular but now outdated post-truths, history has not ended. This volume testifies to the benefits of combining historical perspective in its fairly elementary version, which is a linear sequence of events, with an in-depth analysis of the transformations in understanding, exhibiting, and using (appropriating) Shakespeare’s works in our rapidly changing reality.

Prof. Marta Wiszniowska-Majchrzyk


Krystyna Kujawińska Courtney – Living Daily with Shakespeare Worldwide 9

REVISITING TEXTS AND CONTEXTS 13
Mario Domenichelli – Shakespeare’s Ideological Conflicts and Rhetorical Battles 15
Xenia Georgopoulou – The Price of Difference: Shakespeare’s Varieties of Bullying 45

PRACTICES AND APPROPRIATIONS 69
Krystyna Kujawinska Courtney – Wojciech Bogusławski’s Hamlet (1798): Positioning Shakespeare in Polish Culture 71
Mark Sokolyansky – Another Look upon Alexander Pushkin’s Role in Appropriation of Shakespeare by Russian Culture 79
Aleksandra Budrewicz – The One Gentleman from Poland. Polonius and 19th Century Polish Translation 87
Sarbani Chaudhury – Bombarding the Headquarters: Academic Tradaptations of Shakespeare in Twenty-First Century Bengal 101
Anna Pietrzykowska-Motyka – Meeting the Binaries: Angela Carter’s Wise Children as a Shakespearean Appropriation 119

NATIONAL AND CULTURAL DIVERSITY IN THEATRE 131
Emi Hamana – Hamlet (2015), Directed by Yukio Ninagawa: Possessed by the Power of Theatre 133
Jana Wild – “The Art of Performance” Staging Hamlet in the Rusyn Language 145
Monika Sosnowska – Azorro Presents: Poland at the Crossroads or Whose Words Are Hamlet’s “words, words, words” 151

THE BARD ON THE NET 169
Grace Ioppolo – Shakespeare and Digital and Social Media 171

WORKS CITED 183
LIST OF ILLUSTRATIONS 195
INDEX OF NAMES AND CHARACTERS 197


204 pages, Hardcover

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